![]() It’s about anxious calculation of self-preservation and taking actions & engaging with problems. It’s about a ‘war’ far away, the one as it seems without your direct impact on, and then, another one in your own head. It’s about anxious The album is a psychedelic post-punk pondering about confusion between feeling overwhelmed over weight of being alive & the issues surrounding you, from the most ordinary inside you to those enormous far away, and finally hopelessness around it. ![]() The album is a psychedelic post-punk pondering about confusion between feeling overwhelmed over weight of being alive & the issues surrounding you, from the most ordinary inside you to those enormous far away, and finally hopelessness around it. Hayley's solo career has undoubtedly helped her grow as a singer and lyricist, good for Paramore … Expand Personally, I think it was worth every second of waiting for these 5 years because this album is simply the best. Songs like "This Is Why" and "Running Out Of Time" make you want to go out to a club and dance until dawn, while songs like "Crave" or "Liar" make you want to curl up in your bed with a few tears in your eyes. ![]() Songs like "This Is Why" and "Running Out Of Time" make you want to go out to a club and dance until dawn, while songs like "Crave" or "Liar" make you want to curl up in your bed with a This album manages to sum up Paramore's discography and give a mature result, with a nostalgic sound that reminds us all of a few years before but at the same time, you feel the breeze of something fresh. But it predicts only general patterns that are attested in the survey, and it can account for both the ‘phonological’ effects of tone and length neutralization and the ‘phonetic’, albeit language-specific, effects of partial contour reduction and rime lengthening.This album manages to sum up Paramore's discography and give a mature result, with a nostalgic sound that reminds us all of a few years before but at the same time, you feel the breeze of something fresh. The apparatus necessarily encodes many phonetic details. Formal apparatus couched in Optimality Theory is proposed to account for the effects of duration and sonority on contour tone distribution. This is evidence for the relevance of language-specific phonetics in positional prominence. In phonetic studies of languages with the same multiple factors that induce rime lengthening, it is found that contour tones always favor the factor with the greatest lengthening, even though different languages have different factors that induce the greatest lengthening. This supports the contrast specificity of positional prominence, since the distribution of contour tones is decidedly different from that of many other phonological features, and it is tuned to the specific articulatory and perceptual needs of contour tones. Syllables with longer sonorous rime duration, e.g., those that are long-vowelled, sonorant-closed, stressed, prosodic-final, or in a shorter word, are more likely to carry contour tones. In a survey of 187 languages, the distribution of contour tones is found to correlate closely with the duration and sonority of the rime. This provides a testing ground for whether the contour tone behavior of a language is tuned to its specific phonetic patterns. Furthermore, there exist multiple phonological factors that affect the duration of the sonorous portion of the rime, and the magnitudes of these effects differ on a language-specific basis. This provides a testing ground for whether the positional prominence behavior of contour tones is tied to its specific articulatory and perceptual needs. Unlike many other phonological features, the production and perception of contour tones crucially depend on the duration and sonority of the rime. Description This dissertation addresses two general questions in phonology: (a) Are positional prominence effects contrast-specific? (b) For a specific phonological contrast, is its positional prominence behavior tuned to language-specific phonetic patterns? These questions are investigated through the behavior of contour tones.
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